Writing a novel my way

I’m excited about starting a new novel. I have my “world” set and I’m looking forward to living it in for a while. I’m not a major plotter. I have a vague outline. I’ve envisioned the beginning and ending scenes. I’ve written the opening paragraph and the last two lines of the book. Now I just need to fill in the middle. :-)

I’ve written some notes, some questions, some character bits. I still need four secondary character names. Sometimes names come easy, obviously not this time, so for now they appear as DAUGHTER, SON, BROTHER, and TEMPTRESS.

At this stage, I spend a lot of my writing time not writing. With my eyes closed, I sit and daydream. Scenes materialize and I watch and listen. Questions arise and I devise the answers. Sometimes the answers change the scene, so I have to shake it like an Etch-A-Sketch and begin again.

The dialogue for a couple of the key scenes is rattling around in my head, so today I’ll write out as much of that as I can.  Writing the dialogue first enables me to visualize the scene, so when I go back to flesh it out, it’s easy to fill in the action and setting details.

When I get stuck, I go clean something until a new scene or more dialogue filters through to me. This is good because when it all comes together and I’m deep into writing, I can ignore dust and grime like you can’t imagine!

How’s life with you? Are you in a productive stage or down time?

Write what you LOVE!

Yesterday, I started writing a somber, angst-ridden post. I guess the title and the hearts are clues this is not that post. My last post was a bit of a downer. Some of your comments led me to search my soul, question my Muse, and whine to some friends. Oh yeah, I can be a real joy.

The conclusion? I’d stopped writing for the sheer love of writing and started writing with the mindset of production. My work had ceased to be a creative expression and become merely a commercial product. I’d tried to force it. I worked on four different books. But ultimately, I ground to a halt.

Then a friend asked me to read the blurb for her next book, and the wheels started turning. Her blurb reminded me of one of my book ideas. I’d written up some notes and a couple opening paragraphs. I looked for the file. It took me two hours because I couldn’t remember what I’d named the file, plus I thought I’d started it last year. When I finally found the right file, it had a non-descript name and was dated ’09.

I read what I’d worked up and realized the original idea wouldn’t quite work … but then … oh, then the floodgates opened! I could change this. I could tweak that. And—Oh!—what if this happened? I got so excited that I couldn’t write fast enough and had to go back to the computer to type.

I had doubts. “Is this crazy?” I asked myself. “Can I do this in my “genre”? “Could this be a good story?” I emailed a friend. She wrote back, “I think it would be great!” And that was confirmed when I remembered one of my favorite quotes:

“Listen to Mustn’ts, child, listen to the Don’ts.
Listen to the Shouldn’ts, the Impossibles, the Won’ts.
Listen to the Never Haves, then listen close to me.
Anything can happen, child, Anything can be.”

-Shel Silverstein

So, I’m off and running. I’m writing, writing, writing. I’m in love again.

Write what you love, dear readers. Life’s too short not to.

Are you dreaming or writing?

You’ve probably heard the term fictive dream, which is when you as a fiction writer do your job so well that you temporarily transport your reader into your story world. We all hope our books do that, right? But before we can transport anyone else, don’t we have to experience it ourselves?

I believe we do. I’ve written about it often on this blog. Some refer to it as being in the zone. I call it dreaming on paper. This fictive dream is the drug that keeps us addicted to writing.

John Gardner wrote this in On Becoming a Novelist:

“In the writing state—the state of inspiration—the fictive dream springs up fully alive: the writer forgets the words he has written on the page and sees, instead, his characters moving around their rooms, hunting through cupboards, glancing irritably through their mail, setting mousetraps, loading pistols. The dream is as alive and compelling as one’s dreams at night, and when the writer writes down on paper what he has imagined, the words, however inadequate, do not distract his mind from the fictive dream but provide him with a fix on it, so that when the dream flags he can reread what he’s written and find the dream starting up again. This and nothing else is the desperately sought and tragically fragile writer’s process: in his imagination, he sees made-up people doing things—sees them clearly—and in the act of wondering what they will do next he sees what they will do next, and all this he writes down in the best, most accurate words he can find, understanding even as he writes that he may have to find better words later, and that a change in the words may mean a sharpening or deepening of the vision, the fictive dream or vision becoming more and more lucid, until reality, by comparison, seems cold, tedious, and dead.”

When I’m in this dream writing state, I feel the emotion of the scene. My heartbeat has quickened, tears have sprung to my eyes, or I’ve smiled. It’s glorious!

May you all enter this state of inspiration each time you sit down to write.

This post first appeared on this blog in 2009 titled “State of Inspiration”.

Are we creative enough?

The simple answer to that question is NO. We may never reach our full creative potential, but we should strive for it. We should never limit ourselves. Our souls should always reach for more.

So, since I’m not satisfied with my current creative expression, how do I progress? This speaks to an earlier statement I made about how reading and writing are two stages for me—filling and emptying. When I find myself struggling to express, it’s likely because I’m depleted.

Some call this depletion writer’s block. I recognize it as a need for a refill. I need to read. And I need to read great writing. That doesn’t necessarily mean I need to choose a classic from the high-lit shelf. I need to choose a book written by a great writer in the genre that inspires me, likely the genre I write.

Certainly, I need to read something I love. Something that thrills me. Something that wakes the drowsy muse within me. It’s likely I won’t read that whole book at once because, as I read, ideas will rush toward me like a swollen river. A river of words. My own words. I’ll put the book down and let those words flow through me to the pen or keyboard.

When I’m emptied out, I’ll pick up a book again. Creativity is a process. Ebb and flow. Never ending, as long as you open yourself to more.

Go, now, and create.


Headache Dreams and Novel Thoughts

This winter has been one of the worst for me in terms of physical health. I seem to be a magnet for every virus floating around. These last two started with a headache that wouldn’t go away. I’ve had one for three days this time. The only good thing about it is that it makes for some good dreams … or rather, nightmares.

Night before last, I had one that could evolve into a novel, a thriller. The protagonist would be a fifteen-year-old girl. The book might even be dystopian. Not that I write YA dystopian thrillers. Or YAs. Or dystopians. Or thrillers. But I typed up notes on the scenario. Just in case.

After I woke myself from another nightmare on the first headache night, I lay there thinking about my novel The Brevity of Roses, coincidentally inspired by a dream. A particular scene popped into mind and as I thought about the dialogue in that scene, I was concerned that I’d made an error and vowed to change it in the morning. You know what I’m going to say next, don’t you?

Yep, when morning came, not only could I not remember the exact change I wanted to make. I couldn’t even remember the scene. And I still haven’t. When I’m done with formatting, I’ll read my novel again on my Kindle and I pray when I get to that scene it will all come back to me.

Speaking of Brevity, one of the things I have left to do is double-check one line spoken in Farsi. I asked for help on a language forum and the man who gave me the phonetic translation was a native Farsi speaker, but still I’d like to have a second opinion. So, on the off chance one of you speaks the language, or knows someone who does, here’s the line: Naveye azizam, be harfe delat gush kon.

Your turn: Have your dreams or nightmares inspired any stories for you?


Dreams, daydreams, and nightmares

We write fiction because we are dreamers. Whether we dream by day or night, whether our dreams are sweet or nightmarish, our stories and novels come from that place where real and imagined combine.

Rêverie (Daydream) – Paul-César Helleu, 1901

At the mere mention of that place, some of us may drift off to ponder the nature of reality. Before long, we’re crafting a tale of some fantasy “I wish” or historical “what if” or futuristic “it could” or contemporary “it does.”

What power we writers hold. We create. From a lock of hair, a tilt of head, a room, a city street, a desire, a fear, a thousand other details, we fashion a character, a locale, a situation. We write a thousand words, a hundred thousand. “It’s alive!”

Some of us write brilliantly. Most of us less so. But we are writers all. We record what we dream because we have that ability. Because we want to. Because we have to.

We give life to our dreams out of despair, joy, hope, fiendishness, playfulness, cleverness, daring. What else can we do?

We are dreamers.

We write.


Change is Always Happening

Twice before, I’ve written posts about Dani Shapiro’s memoir, Devotion, and how it touched me. Now and then, I pick it up to re-read an entry at random. A few days ago, I read this:

Change is always happening. So simple. So obvious, really—and at the same time so terrifying. A friend had recently sent me directions to her house, and in describing the way the names of the roads changed for no apparent reason, she had written:  Everything turns into something else. No wonder I didn’t want to think about this. What was the point of thinking about this? Love, joy, happiness—all fleeting. Trying to hold on to them was like grasping running water.

I’m older than a lot of you reading this. I think Dani’s realization is one that comes to most of us as we grow older. Everything is fleeting. Everything turns into something else. What was most important to you at the age of five is forgotten and replaced by real concerns at fifteen. And then again at twenty-five. And forty. And …

Everything changes. All things renew, reform, restart. I think back on the times I thought, I can’t survive this. But I did. I remember the times I thought, Nothing will ever be better than this. But I was wrong. Everything changes.  Everything turns into something else.

Grasp what you can and don’t worry about the rest flowing through your fingers. This is a lesson I need to relearn daily. How about you?