I’m excited about starting a new novel. I have my “world” set and I’m looking forward to living it in for a while. I’m not a major plotter. I have a vague outline. I’ve envisioned the beginning and ending scenes. I’ve written the opening paragraph and the last two lines of the book. Now I just need to fill in the middle.
I’ve written some notes, some questions, some character bits. I still need four secondary character names. Sometimes names come easy, obviously not this time, so for now they appear as DAUGHTER, SON, BROTHER, and TEMPTRESS.
At this stage, I spend a lot of my writing time not writing. With my eyes closed, I sit and daydream. Scenes materialize and I watch and listen. Questions arise and I devise the answers. Sometimes the answers change the scene, so I have to shake it like an Etch-A-Sketch and begin again.
The dialogue for a couple of the key scenes is rattling around in my head, so today I’ll write out as much of that as I can. Writing the dialogue first enables me to visualize the scene, so when I go back to flesh it out, it’s easy to fill in the action and setting details.
When I get stuck, I go clean something until a new scene or more dialogue filters through to me. This is good because when it all comes together and I’m deep into writing, I can ignore dust and grime like you can’t imagine!
How’s life with you? Are you in a productive stage or down time?

Yesterday, I started writing a somber, angst-ridden post. I guess the title and the hearts are clues this is not that post. My last post was a bit of a downer. Some of your comments led me to search my soul, question my Muse, and whine to some friends. Oh yeah, I can be a real joy.
So, since I’m not satisfied with my current creative expression, how do I progress? This speaks to an earlier statement I made about how reading and writing are two stages for me—filling and emptying. When I find myself struggling to express, it’s likely because I’m depleted.
Night before last, I had one that could evolve into a novel, a thriller. The protagonist would be a fifteen-year-old girl. The book might even be dystopian. Not that I write YA dystopian thrillers. Or YAs. Or dystopians. Or thrillers. But I typed up notes on the scenario. Just in case.
Change is always happening. So simple. So obvious, really—and at the same time so terrifying. A friend had recently sent me directions to her house, and in describing the way the names of the roads changed for no apparent reason, she had written: Everything turns into something else. No wonder I didn’t want to think about this. What was the point of thinking about this? Love, joy, happiness—all fleeting. Trying to hold on to them was like grasping running water.