A thought on tradition

As I sit here writing this post on Saturday night, the virtual fireplace roars and pops in all its high-definition glory accompanied by orchestral holiday music that reminds me of classic black and white movies. Thoughts of childhood filter through, though considering I have memories that go back to the age of two, not many of them are of Christmases. Our family often struggled financially, so I expect this commercialized holiday was rather low-key at our house.

My first Christmas memory is of the year I was five and spoiled Santa for my sister. My next memory is of my ninth, when I got my last baby doll—yes, nine. We grew up much slower back in the olden days. The next one I remember specifically, I think I was sixteen. That was the year my mother bought a silver tree. Silver as in aluminum foil! Due to its nature, we couldn’t trim that abomination with our traditional colored lights, so she’d bought the rotating color wheel accessory. I detested that tree. It took its presence as a personal offense. To this day, I blame that misguided experiment for inciting my slavery to Christmas decorating traditions.

Three years later, I celebrated my first Christmas as a married woman. At that time, we lived in Germany where my husband was stationed with the U.S. Army. I shopped for my decorations in the village, and my husband and his friends drove up in the mountains to cut down our tree. While holiday music played on Armed Forces Radio, I hung blown-glass bulbs and clipped on delicate glass birds. I arranged and rearranged them seeking a perfect display from three sides. When I finished, we went to see a movie on base.

Two hours later, we arrived home to find our beautiful tree on the floor and shattered glass everywhere. My birthday present kitty had wrecked my Christmas tree. Most of the birds survived because they were secured to the branches, but half the bulbs were now glittery pieces. We drove a nail in the wall and secured the tree upright with fishing line. Military pay didn’t stretch far enough to replace the broken ornaments, so I had to stretch the remaining ones over the tree.

The next summer, many of the remaining bulbs and a couple of birds broke during shipment home of our household goods, and others disappeared through the following years. Now I have only one, slightly battered, golden bird left, and I give it a place of honor on my tree every year. Though I no longer have real trees  because of family allergies, mine is traditional in every other way. Tomorrow, I will spend most of the day decorating it. My collection of glass ornaments has grown to hundreds and I still arrange each one with care.

Your turn: What is your Christmas tree like? If no tree, what holiday tradition is your favorite?


Could I live without a hardcover?

From some of my recent posts, you may have gotten the idea I’d already made the decision to end my quest for traditional publication. Decision making is always a long, complicated process for me. I think I have a few extra convolutions in my brain. Or something.

I read pros and cons. I listen to the experienced. I think and think and think and find myself not much closer to taking a stand than I was at the beginning. I hesitate in a thousand ways. I like to think of this as thorough research. More likely it’s just fear of the unknown.

In my last indie vs. traditional post, I concluded that a book published by one of the big NY publishers carries no guarantee it’s a better book, in any sense, than an indie-pubbed book. Yet the stigma of “lesser quality” still attaches itself to the idea of self-publishing. I confess, I’ve been guilty of that prejudice.

I have another book prejudice. I love hardcovers. If cost were never a factor, they would always be my first choice. Alas. Because I’m on a budget, I’m okay with trade paperbacks (soft-cover.) But I loathe mass-market paperbacks. If I indie-pub, my book won’t be in hardcover. End of dream.

So, let me consider other advantages to having my book traditionally published.

More publicity: Or not. Nowadays no matter how a book is published, for the majority of debut authors most of the task of publicizing it will fall on their shoulders. Still, that Big Publisher’s name does carry some weight. This is almost a draw.

Wider distribution: Yes, for a while. According to the latest I heard, the typical debut author will have a book on the shelves of brick and mortar bookstores for about 2-4 months. After that, it’s reduced to special order status. As an Indie author, I would not get the thrill of walking in B&N and seeing my book on the shelf, though if I choose the right options and self-pub as POD, my book could also be a special order by those stores. Safer to assume it would sell only online. I’d say the scale tips toward traditional—except I wonder, where do YOU buy most of your books?

More profit: True—if I received a $5,000 advance. Is that likely? I don’t know. I know there are Indie authors who make buckets of money every month, but they are not debut authors, and most of them are non-fiction authors. However, my self-pubbed novel might sell quite well. Or not.  Even if I received only a $2,000 advance from a traditional publisher, I might come out ahead profit wise. Toss up.

Those are all logical considerations. However, as a writer—as a person—I’m not always logical. To be honest, “always” is probably stretching it. I feel more than I think. So, what are my feelings? *sigh* I’m still working on that.

Your turn: I know some of you have already made the decision to become Indie authors. What was your deciding factor?


Sometimes, it feels like drowning

Photo by Toni Frissell, 1947. Public domain.

I love losing myself in writing, entering that otherworld, absorbed in transforming the thoughts, feelings, sights of my mind into words. Beautiful words. That dimension seems like a watery place to me. Yet, air-breather though I am, it feels natural to be in that muted place, suspended between the real and the imagined.

It’s been awhile since I experienced that. I still write. Nearly everyday. But I’m just not that into it. Too much of my mind is snagged on the last novel I wrote. The one I’m querying at, possibly, the worst time in the history of print publication. I can’t let go of that dream, though it’s a heavy weight, and my oxygen supply is dwindling. Hoping is beginning to feel like drowning.

Why did I write that novel? That question always floats to the top. Really. Honestly. Truly. Why?

My primary reason was never to make money, which is good considering today’s publishing economy. Yet, I never planned to give it away. I didn’t write it just to see if I could because I’d already done that with another novel. Did I want to publish this one for the prestige? For the right to call myself an author? No, not that either. Though, like not considering it bourgeoisie to earn money from my writing, I wouldn’t be offended to be touted as a novelist.

But imagined money and fame aside, I do seek acclaim of a sort. I want someone—no, I’ll be honest—I want as many someones as possible to read that novel and feel it was worth their time. I want to hear them say Well done. You gave me a gift. You taught me something. You enriched my life for a moment … today … forever.

I want it to matter to someone else that I lived for a while in that otherworld crafting the best story I knew how.

But now, I’m tired of floating at the bottom. I need to consider the options for rising back to the top. There are dangers in these waters I didn’t see before plunging in. These depths are murkier than I first thought. I’m seeking the clarity.

 

Witch Hunt

Lately, I’ve had several vivid dreams, though I only remember snatches when I wake. The other night I dreamed I was standing in the dark, looking at flames. I felt … odd. I woke at that point, but the dream stayed with me as I stepped into the bathroom. I realized what I felt was a mixture of things, a contradiction—power and fear? joy and despair? Not until the next morning did the location of this dream scene flash before me.

They say there are strangers who threaten us,

In our theaters and bookstore shelves,

That those who know what’s best for us

Must rise and save us from ourselves.

from “Witch Hunt” — Lyric by Neil Peart

This was a scene from my past. A memory of the night I stood in the parking lot of Windsor Village Baptist Church and participated in a book burning. This was the mid-70s, the era of The Exorcist, and my church was in the midst of Satan-mania.

Whenever this memory surfaces, I try to remember what books I burned, though I’m sure I’ll never have the complete list. I had little money to buy books, and probably owned no more than twenty—mostly paperbacks and used library books. Ironically, Ray Bradbury’s Fahrenheit 451 was one of the books I burned.

Other fiction thrown on the pyre was Ira Levin’s Rosemary’s Baby, Shirley Jackson’s The Haunting of Hill House, and Jacqueline Suzanne’s Valley of the Dolls. But even non-fiction like Jess Stearns’ The Search for the Girl with the Blue Eyes or Marian L. Starkey’s The Devil in Massachusetts or—unbelievably—Maya Angelou’s I Know Why the Caged Bird Sings did not escape my zeal. Nor did Khalil Gibran’s poetic The Prophet. I ruthlessly routed out their potential “demonic influence.”

I was a different person then. I was one of those the Rush song refers to, thinking I knew what was best, I became one of those strangers—to myself. The memory of that frightens me. The thought I might again be so easily influenced, frightens me even more.

Morning Meditation

Hush. Night fades to silver, holding its breath, waiting, waiting. Pink rises from the mountaintops, trailing gold from its toes, lighter, lighter. You hear it in your soul, feel it, see it, the rising chorus, the symbol crash, the sun breaking, glorious, as dawn arrives triumphant. Sing.

Most of my days, I rise before dawn. It’s a magical time. Still. Quiet … a few bird twitters. I am awake, yet not. If possible, I would spend the first few hours of my day silent. It seems appropriate. Listen before I speak.

Summer sunrises are my favorite. A pastel wash over dewy grass. A cool appetizer before a sizzling day. A promise. For even when you despair of life, dawn offers you the possibility that today will be different. Today will be a new beginning.

Today.

This day.

Take it and fly.

Fitting the Pieces Together

After my father’s sudden death four years ago, my mother spent nearly every waking moment working jigsaw puzzles. For more than a year, she sat sorting, moving, fitting piece after piece to create the final picture. Hour upon hour. Like a Buddhist monk creating a sand mandala. As soon as she fit the last piece in one puzzle, she tore it apart and reached for another.

Her life was in chaos. She created order out of a thousand one-inch pieces because she could not, was not ready to create a new order in her life. As her hands worked, her mind let go. As much as possible, she ignored the present, even listening to WWII music, the music of her youth, the music she danced and sang to before my father entered her life.

Gradually, her puzzle obsession waned. My father was gone. She was not. Life would go on.

The death of a loved one is surely the most severe disruption of our lives, but no matter what has knocked us off kilter it takes time and patience to get back on track. We have to sort out what went wrong and then, piece by piece, form a new picture.

Time and patience. I need them both.

Update: After a couple comments, I see this post has caused some unintended concern. I am all right.

Unacceptable Loss

Sometimes a hurt is so deep deep deep
You think that you’re gonna drown
Sometimes all I can do is weep weep weep
With all this rain falling down

Those words are from the song “Rain” by Patti Griffin. I first heard this song a week or so ago, and when she sang these words, I burst into tears. And I don’t mean silent tears; I mean a real boo-hoo. I was listening to this in my car, on the way out to shop, but had to come back home to repair my makeup. That kind of crying.

Why did these lyrics hit me so hard? Every so often, without warning, I fall into a deep deep deep sadness. I feel like crying. And sometimes I do. I feel the need to hug myself. And, inside, I do. Nothing has happened in my life to account for this sudden darkness. It’s happened so often for so long I’ve learned to just ride it out. Just wait. This too shall pass.

But I never had an explanation for it—until now.

Yesterday, while under one such cloud, I picked up Dani Shapiro’s Devotion, which I had started reading a couple months ago. I read this part about what happened to her after she moved from New York City to the Connecticut countryside:

“In the country, I stopped being a person who, in the words of Sylvia Boorstein, startles easily. I grew calmer, but beneath that calm was a deep well of loneliness I hadn’t known was there. No wonder I had been running as hard and fast as I could! Anxiety was my fuel. When I stopped, it was all waiting for me: fear, anger, grief, despair, and that terrible, terrible loneliness. What was it about? … In the quiet, in the extra hours, I was forced to ask the question, and to listen carefully to the answer: I was lonely for myself.”

Instantly, I knew. That deep deep deep hurt, that sadness that makes me want to weep weep weep, is loneliness. I miss myself. A part of me is lost. And I must find it.

This is an unacceptable loss.