Several weeks ago, I felt myself slipping into melancholia. It’s my nature and I accept that, but I try not to give into it for long. This time, reading what I shouldn’t triggered my dark mood. I’d read a couple of blog posts that made ol’ low-confidence me want to remove my books from the market and disappear from the virtual world.
One of those posts advised indie writers not to subject readers to garbage work—and I agree with that. The problem was that they defined garbage work as any writing that hasn’t been professionally edited. The bottom line: if you can’t afford to hire a professional editor you don’t have the right to publish.
The other post advised publishing only professionally edited writing—with this stipulation: if you do have the audacity to publish work not professionally edited, you must make it permanently free. After all, how dare you expect someone to pay for what is undoubtedly garbage!
I hung my head.
I hadn’t hired a professional editor for my first two books, but I didn’t have the heart to take them completely off the market. They’re exclusive with Amazon, for the time being, so I couldn’t make them permanently free, but I considered lowering the ebook prices to 99-cents and withdrawing the print version.
For a while, I was sad, sad, sad.
And then I said, “Hold on. Who says?”
Unfortunately, I didn’t save the posts, but if I recall correctly, someone affiliated with traditional publishing wrote one of them, and a professional editor wrote the other. So, yeah, consider the source.
No matter how much self-confidence I lack, no matter how hard my perfectionist nature judges my writing, this I know: my writing is not garbage!
For reasons I’ve stated before, I don’t think traditional publishing is for me, so having access to a professional editor that way is out.
The other option is to spend my entire month’s income to hire a freelance professional editor. Unfortunately, I’m too fond of running water, electricity, and food to make that sacrifice.
So I won’t be hiring a professional editor for my next book—unless I find one willing to volunteer their services in exchange for a testimonial or a money miracle occurs (not holding my breath for either.)
Instead, as before, I’ll write, edit, revise, seek feedback from capable writer friends whose writing is strong where mine is weak, and then edit and revise again, as many times as it takes to assure the result won’t be garbage.
I guarantee: My books won’t change the world or likely ever bear the New York Times Best Seller banner or may not suit your particular reading taste, but they’ll never be garbage.
can give to writers. A couple of days ago, someone sent me an email in which she wrote some lovely things about my writing. This person is a published author whose writing I admire, and her comments on specific elements of my writing that she liked gave me a much-needed lift.
I’ve heard there are writers who have abundant confidence in their work, but I don’t know any personally. At least at times, I think we all doubt our ability and need a boost. We need kind words about our writing. Think of them as vitamins for writers.
In case you’re new here, I’ll explain that I’m doing a final polish of a novel. I’m down to rewording a sentence or two and some other nitpicky stuff. One thing my editor marked in several places was an omission of a word. The pure typos I corrected immediately, but a few other sentences she flagged looked fine to me.
I opened the attached file and scrolled through. She noted a few places she felt needed clarification or enhancement. She questioned a thing or two. She also found many errant commas, absent quotes, and those tiny missing words that your eye fills in when you read: a, in, of, etc. As I neared the end, I thought, That’s all? Great! Piece of cake edit ahead of me.
She cited solid reasons why this section should go. It delayed the resolution readers would be hungry for at that point in the book. And, probably, this section featured one rejection too many and might turn readers against one of the characters. How can I argue against that?
My first step toward publishing my novel is to read and edit—again. Again. I confess I expected to have an agent’s input before this book went to an editor. Now, it will be just me. One more time through, and then I’ll pass it to my editor. After I make the changes she suggests, I’ll learn how to format the manuscript for the print and various e-reader versions. (Easy to say; harder to do.)