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Scene shifting

I’m still a little dizzy after seeing the movie Inception yesterday. I tried hard to keep each thread of the story straight, but ended up in a tangle. To me, dreams within dreams within dreams … was more confusing than time travel. (Or maybe I was just too distracted by how much Joseph Gordon-Levitt looks like Heath Ledger.) And what about that ending that doesn’t end—did it topple or not? Nonetheless, I felt satisfied with the experience.

I’d like to know how they crafted the Inception storyline. I can’t imagine it was written the way it played out. I would write each dream/reality sequence  chronologically and then shift and intertwine them. But what do I know? I have never, and don’t think I could, write a story like that. Not just because it’s so complicated, but also because I don’t have the kind of writer’s mind for mystery/thrillers. My latest chapter revision is difficult enough.

At my last critique group meeting, we agreed I should rearrange the order of all the scenes in my new opening chapter. On Friday, I printed out the chapter and cut the scenes apart. It looked an impossible puzzle with all the scenes spread out on the table. My first attempt at reordering was a mess; the second was better, and on the third try it fell into place … I think. Then I used a glue stick to put the scenes back together in a new order. Now I’ll have to write new connecting narrative between these scenes.

Another suggestion from my C.P.s was that I might be trying to fit too much information in one chapter, so I’ll be considering that too. All this is good. Deep down, I felt I’d started this novel wrong. Now I’m correcting that. Next up will be a query letter revision. Fun, fun, fun … not.

Your turn: What will you be working on this week?

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