I’m reading Ray Bradbury’s Zen in the Art of Writing, which is a collection of his essays. He mentions frequently the source of his story ideas, tracing them back to childhood loves and events. In that sense, he shows that he started writing his stories years, even decades, before he typed them out. He writes:
I’m reading Ray Bradbury’s Zen in the Art of Writing, which is a collection of his essays. He mentions frequently the source of his story ideas, tracing them back to childhood loves and events. In that sense, he shows that he started writing his stories years, even decades, before he typed them out.
“I was in love, then, with monsters and skeletons and circuses and carnivals and dinosaurs and, at last, the red planet, Mars.
From these primitive bricks I have built a life and a career. By my staying in love with all of these amazing things, all of the good things in my existence have come about.”
And in another essay:
“Do not, for money, turn away from all the stuff you have collected in a lifetime.
Do not, for the vanity of intellectual publications, turn away from what you are—the material within you which makes you individual, and therefore indispensable to others.
To feed your Muse, then, you should always have been hungry about life since you were a child.”
With that in mind, this past week, I’ve thought a good bit about my childhood interests—my “primitive bricks”. At first glance, I don’t see evidence that I fed my Muse the seeds that grew into Brevity. Maybe I just need to look deeper into my first loves. Or maybe that novel was an aberration. Maybe my next novel should be completely different.
What do you think about Bradbury’s thoughts on childhood loves being the true well from which you draw your story ideas?
Yesterday, I started writing a somber, angst-ridden post. I guess the title and the hearts are clues this is not that post. My last post was a bit of a downer. Some of your comments led me to search my soul, question my Muse, and whine to some friends. Oh yeah, I can be a real joy.
The conclusion? I’d stopped writing for the sheer love of writing and started writing with the mindset of production. My work had ceased to be a creative expression and become merely a commercial product. I’d tried to force it. I worked on four different books. But ultimately, I ground to a halt.
Then a friend asked me to read the blurb for her next book, and the wheels started turning. Her blurb reminded me of one of my book ideas. I’d written up some notes and a couple of opening paragraphs. I looked for the file. It took me two hours because I couldn’t remember what I’d named the file, plus I thought I’d started it last year. When I finally found the right file, it had a nondescript name and was dated ’09.
I read what I’d worked up and realized the original idea wouldn’t quite work … but then … oh, then the floodgates opened! I could change this. I could tweak that. And—Oh!—what if this happened? I got so excited that I couldn’t write fast enough and had to go back to the computer to type.
I had doubts. “Is this crazy?” I asked myself. “Can I do this in my “genre”? “Could this be a good story?” I emailed a friend. She wrote back, “I think it would be great!” And that was confirmed when I remembered one of my favorite quotes:
“Listen to Mustn’ts, child, listen to the Don’ts.
Listen to the Shouldn’ts, the Impossibles, the Won’ts.
Listen to the Never Haves, then listen close to me.
Anything can happen, child, Anything can be.”
So, I’m off and running. I’m writing, writing, writing. I’m in love again.
Write what you love, dear readers. Life’s too short not to.